Story

Living alone and travelling in Amsterdam

Ever since I graduated from university, I've been living alone. It isn't so bad. You have all the time in the world to wake up in the morning, to roll out of bed, the re-imagine the cleaning routine, to make as much noise as you like when getting home, to scream "Bullshit" when you read some ridiculous email (or read the news). It is ok to forget to turn the heating on in the bathroom and it is freezing cold when you get in the shower, it is ok when you accidentally set off the alarm on Sunday morning because you had forgotten that it is a weekend. It is ok to not do the shopping and just order in. It is ok to go to bed at 8 pm, wake up at 3 am, and go jogging in the darkness. It is ok read in bed until you have finished that captivating book and it is ok to fall asleep three minutes after that movie had begun. It is ok to invite friends over for dinner whenever you feel like it. It is ok to leave the trash in even after the fruit flies had become unbearable. It is ok to let the empty jars pile on top of each other until you gather the will to carry them outside to the glass-dispensing container. It is ok to let the dust bunnies invade every corner of the house (they aren't all that difficult to get rid of). It is ok to forget to do the laundry (as long as you don't run out of clothes altogether) and it is ok to use the dry rack as a wardrobe.

Living alone for such a long time makes one incapable of imaging what it would be like even to go on vacation. One gets stripped down from all that defined oneself - because one is defined not by what one stands for but by what the others stand for. We are what distiguishes us from everyone else. But when one lives alone, when one's life revolves just around oneself, one loses self-identity and ends up feeling alone and not being able to coexist with anyone else. And that's why when one goes on vacation, one finds it odd.

So, to avoid such feelings of dream, one surrounds oneself with great people in the office, goes home just when one wants to be alone, and enjoys vacations only with friends and family. This time I went on vacation to meet one of my two best friends from university.

As I am sitting writing this from Amsterdam, I realize even more tangibly one's need of Another - on night 1, when I was alone, Amsterdam was just another city, but on night 2, when I walked around with my friend, we laughed (at Amstermdam's expense) on every corner. Amsterdam is a city of extremes: elegance and decadence, fashion and chic, crowds and loneliness (otherwise, why the promiscuity - no judgement implied), labyrinths and tall buildings (tall by the standards of the narrow streets they overshadow), no open spaces and small closed spaces, couples (and trisomes) everywhere. Here people rush when they walk alone and stall when they walk together. Here people ride on bikes only in couples (because it is just so much more dangerous to do that alone - you ride safer when you have to make sure the Other survives). Here magic happens from holding hands not to get lost in the crowd. Here magic lasts less than a second because there is another one in line. And yet magic stays with your forever like in a movie. Here the morning fog has a wholly different effect than the London morning fog, and that's a good thing. Here "creativity" is an euphemism and a rainbow is not.

And if one doesn't have the other or just another, one will lose oneself in the depths of the city canals, in the fog of its coffee shops, in the lusciousness of its red seductions, and their meanderings through the soul. One's got to be up for the game.

And maybe that's why people from Amsterdam are who they are - gamers - open, ready to smile at the street photographer, multi-lingual, provocative, creative, liberated and extrovert - they need the constant stimulation, the challenge, the extremes, the energy. They need to show proudly who they are and where they are going. Their honesty is admirable (even if unreal in its schizophrenia) and their schizophrenia is admirably honest.

Would I be able to live here among them and with them and alongside them and in them? The small streets, the noise, the danger on the streets (and I am talking about those crazy cyclist and the trams), the lack of private spaces, the old constructions (not to mention that they are all sinking), the potted energy, the suffocating crowd, the expectation...? Those questions naturally come. We talked about them with Nik but then he had a plane to catch and I was looking for someone to experience the city with.

And I found someone. You plan and plan: a small treasure hunt - because you really want to see her. You set up three time slots and, like in the movies, your entire world starts rotating around those time slots. First, you think of lunch but then you don't have time so you content yourself with just some peanuts (literally) - nothing bad in them but you wished for a salad (but she is worth waiting for). Walking a few blocks around - you don't want to seem too desperate (which you probably are if you are thinking in those terms). You arrive early, although your heart already knows that this isn't the time you'll meet her and that the treasure hunt shall continue. Despite this, you actually wait 15 more minutes (of course under the pretext that you can just observe the couples around and take street photographs). After this you give up. Until the next meeting - same place, two hours later. By that time, you know the routine already: walking around almost aimlessly ("almost" because you've got the aim to find a way for time to pass by faster), making a few pictures out of focus to "demonstrate the great patterns the bokeh your lens can do" (which loosely translates to "help time acquire meaning"), you find something else to snack on (this time you wish for something sweet to help offset the gloomy mood) and go for marzipan, and you try to go shopping (but you know perfectly well that nowadays few things are exclusive to that city and you give up to avoid logistics overload). It is in that moment that you realize how much this plays like a movie, perhaps a bit like "Before Sunset", not as much like an Woody Allen as you might wish (because things always end up funny and unexpected in those movies), far from a typical British romantic comedy (no matter how much you'd love to live through one). But it is exactly in the midst of this movie that you feel the optimism so you go for the third appointed time - that one's got to work, right? This time you arrive in time, not too early. And as faith has its way, there is a small temptation on the other side of the street - a street gang playing with the rainbow of soap balloons as big as three people and as colorful as thousands of CoffeeCompany shops with their rainbow menus. You go there and you seem to be more focused, the camera is out, all in manual settings, focusing is quick and determined, and you shoot and shoot and shoot; 5 pictures later, you know you've got it, and maybe she is already waiting. But your heart sinks - there are many people on that square but you don't recognize any of them. You realize that you have fallen for your own overenthusiasm with the hunt. Time seemed to have stopped and your departure tomorrow seems an eternity away. You don't know what else to do, so you walk slowly back to the hotel.

The night seems long, you wake up at 5, try to sleep a bit more, go to Starbucks for your drop of caffeine, go back to the hotel, go through with the teleconference for work and you almost flip when you get that message: "konstantin!!!! no!!! oh my god i was just in the middle of writing you a text message  i somehow thought you still had time to meet up today.... i didn't have internet access during the day yesterday at all  i am gonna send you the text message anyways, maybe i'm in luck...". And it is in that moment that you know that this is meant to be like this - an hour and a half is sometimes all that you need. And you don't know if that conversation was going to change your or her life (what a silly idea!) but you know that you needed it, you feel it through and through, you are engulfed in it. You look straight into her eyes and you know that you won't look away. The thought of missing the train on purpose does cross your mind but that would ruin the spontaneity. The thought of picking up the camera and taking a picture of her comes to you but you quickly dismiss it because now matter how unobtrusive, it is still an extra layer and you do want all your shields down. So, you don't. And you enjoy how she plays with the chocolate wrapping, and how she urges you to run so you don't miss that train and how she actually runs with you to the door. And you feel special because you are the only one who runs for that train with someone else by the side.

And so it is on the train that you think again about living alone, visiting the cities alone, and meeting people with open eyes. It is on the train (funnily enough, not earlier) that you manage to connect the dots and to realize that, yes, she did help you define the borders of who you are a little better, and so do you wonder if she sees with greater clarity as well. And you realize that it is not the "living alone" that makes you alone but the treasure hunt - just because you trick yourself into feeling alone when in fact, the world is always with you. And you smile at the sun, because you've finally figured it out.

Dreaming [an essay]

This essay first appeared on my blog in August 2010.

What happens to a dream deferred?

Does it dry up

Like a raisin in the sun?

Or fester like a sore –

And then run?

Does it stink like rotten meat?

Or crust and sugar over –

Like a syrupy sweet?

Maybe it just sags

Like a heavy load.

Or does it explode?

Hamlet, Langston Hughes

“Do NOT dream of the illusory!” I would shout, did I have the power over mind. “Do NOT think of anything chimerical!” I would scream at the top of my lungs, did I have the power over thought. “Do NOT crave for the impossible!” I would roar with disgust, did I have the power over soul.

Did I have power over my thoughts, I would be … a pessimist. Did I have power over my soul, I would be … a realist. But if only I had power over my dreams, I would be a self-restrained realist and a self-disciplined pessimist. But that is not what I am. Because I do dream and imagine things, because I cannot control severely my illusions, because I do not want to be captured by pure rational thought. But people need to dream, to long for things, to love. They need to travel through mind, to experience the flawless perfection, to receive the love that dreams create.

However, what happens if a dream fails, if the expectations turn up to be sand castles? What remains after the wave is sand. And few are strong enough to rebuild the castle on the very same place – those who are in love with love know that the sea comes again every minute but this is no obstacle. This is the meaning of their life. To learn how to make the castle stronger is the sensual ravishment that makes people crave and come back to it every time a dream is deferred.

What differentiates people’s dreams is the longed-for results. But there are different people and very different dreams. And it is on these different dreams that the reaction to the deferral depends. The more modest the dream is, the less rottening and less drying-up it is. However, rarely do people dream of modest things because they want to have what they do not and usually it is in spheres very different from the appropriate for them.

There is a particular example of dreaming for the impossible, or even dreaming for too much of it, that I remember particularly well because of it close relation to one of my favorite books “Siddhartha” by Hermann Hesse. It is a film called “Samsara”. Hesse’s character is a boy who wants to learn cognition, to understand the world, to mingle with it, to achieve Nirvana. He goes through many obstacles which train him – he gets to know the life of Tibetan monks, the carnal sins. But then he achieves the salvation he has been dreaming of. The “Samsara” character goes the other way round. In the beginning of the film his story is told – he is a monk, who has achieved the Nirvana and has been meditating for 3 years, 3 months, 3 weeks and 3 days. But he then falls in love with a peasant girl. He marries her and starts leading normal life. But then comes a moment when his carnal desires are too strong for him to control and he decides to return to the monastery. Unfortunately for him, there is no way back. His dream of achieving more supreme Nirvana going all the way that Siddhartha goes fails because he cannot possible have everything he is dreaming of. He is forced to return to his life of a land-owner. His dream becomes a sore, his Nirvana – impossible to achieve again, his soul – restless. The price he pays is too high one – it becomes a burden. For him there is only one philosophy from there on: to prevent a drop from evaporating, drop it in the sea. He needs to return to his sea and to accept his weakness.

Unlike him, a few centuries back in time lived a romantic poet whose dreams of purifying the world predominate in his poetry – Percy Bysshe Shelley. Imagine Shelley in the depressing bleakness of the reality, tortured by misery and death, watching the sky and waiting for inspiration. This must have been the picture he saw – his escape from reality and cruelty, his dream. What a better relief than the mysterious catalyst “silver sphere”?

Teach me half the gladness

That thy brain must know,

Such harmonious madness

From my lips would flow,

The world should listen then

As I am listening now.

If he could have learn this and accept it unequivocally, be would have been able to recompose his ideas and accept the misery around him which was to be converted to human happiness and harmony. His dream would be his strongest weapon. If we search though the archives of Coca Cola, we will find literally thousands of advertisements appealing for the same – “we would like to instruct the world to sing and live in perfect harmony” This is a group of people, who popularize a utopian dream, based on the simple condition of drinking coke. Perhaps, Shelley’s skylark with her beautiful voice and immortal presence shows us a shorter way to harmony. Mary Shelley (Percy’s wife more famous for her creation of “Frankenstein”) claims that this is one of the most beautiful poems of her husband. But for Percy Shelley it is something more – it is the connection between idealism and radical thoughts. The message sent by the skylark has the power to provoke the change of which the poet dreams. The “unbodied joy” of that “silver sphere” consists of a centuries-old philosophic thought, inspired by Plato and all the other Greek philosophers developing the theme “Ideal Harmony”. Freedom. Shelley tries in his own way to be free: independent from the contempt of his contemporaries, free to express his observations through his poetic message. The gaudy moods of the lark echo resonantly in that idea even now – two hundred years after they were observed. This is a heritage for those of us who try to make/find our own niche of freedom.

While this dreams remains unachieved, there is another possible end – to achieve the dream and not be happy again. This is what happens to Patrick Suskind’s character Jean-Baptist Greneuille. Jean has the most delicate nose in whole France. He is enchanted with the beauty of the numerous scents that fill the streets of 18th-century Paris. His wanting to become perfumer becomes his obsession and he finds ways to fulfil his dreams. Faith meets him with a beautifully smelling girl. He is so obsessed that he wants to create a scent that has her enchanting aura. Unfortunately by the time he meets her he still does not know how to create scents. To become perfumer becomes his incantation through which he is bound to achieve his greatest dream of all. Like a real greneuille (fr. frog) he does become master. He knows already how to take a scent out of the source. And his sources become innocent victims of Nature, favoured by beauty. He kills them in order to get what he wants – the scent. He is accused of the murders and sentenced to death. But he anoints himself with a drop of the fragrance he has made – a mixture of the essential oils of different girls – and the moment he steps of the square where a mob has gathered to watch; everyone present is mesmerized with Greneuille. Even the father of one of the girls grabs Greneuille and forgives him everything. But this is not what Jean-Baptist dreams of. He is so disgusted with human nature that as soon as possible he leaves the town. When he reaches the next small village he anoints himself with the rest of the perfume and leaves himself being torn literally by knives, nails and stones – out of sheer love. Is that what a dream is? A false statement, a raisin drying in the sun?

A dream should be a magnificent opulent tremendous stupendous gargantuan bedazzlement. It should be earthy and controlled, and invigorating and exhilarating. It makes people travel, it makes them stable. It points out the right paths and the wrong paths. It is a heavy burden of sweetness and sheer joy. It is the Moon which makes people ware-wolves; it is the Sun which kills vampires. It is a harmoniously ravishing intoxication and a harsh pungency. It can be here, there and everywhere. But what is for sure – it will always be with people, because they love flying and falling.

Music is Indispensable

The day started with guilt. I have that inexplicable desire to always ask the most brutal questions to myself - like "why is this important to do?" and "what is the meaning of life?" - you know - even before my alarm clock has ran 6:00 am. Which is not even my first alarm for the morning (I told you, it is about "inexplicable" things). This morning was particularly drifty - between reality and illusion - for a couple of hours before the alarm clock could no longer be ignored. And that's where the guilt came in - the "couple of hours" - couple of hours too late (and still before 8:30). It is criminal to feel like a criminal before 8:30 am. Even before 8:30 pm. But after 8:30 - one is free to be who he wants. 

Coming out of Rewe after the day which got lost between the cells of the Excel table (still seeing the blank cells and numbers though), I am trying to push aside the thought of another dinner alone (hear that guilt again?), and trying to think of a weekend activity other than more work, I hear guitare music. It wasn't a new marketing strategy from Rewe (you know, the one where they give you something for free so that you reciprocate and buy more). It wasn't an audio-book enhancement ("About a Boy", Nick Hornbey - a current iPod album). It wasn't guilt reminding me I should pick up music again.

It was a group of inspired teens (by my estimation of age) - at the end of the day, they went home, packed their gear, and pick a random spot where they could jam. Not for the cents they thought they might collect (they had brought some snacks which probably cost them more than what they gathered), not for the praise they hoped to get (they had the fire in their soul already), and not for the delight of everyone living on that street (in fact, for the dismay for some of the bewohners there who complained of "noise" - forgive the airquotes). Just when I was getting tired of humanity again, they showed me the world in colors. 

Music is part of our life - "everyone loves music", don't they. A guy from the street joined them - an elderly gentleman with a heart full of warmth (and a twinkle that I might boldly attribute to other things in his blood). And he got them, you know - he was there - in the music, around the music, with the music. He called for them. And they came along - they sang, they played for him, the audience communicated - they answered, they clapped, they smiled, they sang along. The tramp then turned to me and said "What would you be without your camera?! You'd still enjoy the music!". And he was right, you know! And I didn't think of guilt anymore.

If you guys are reading this, your spirit (it was not even the music itself - you were great at it, but that's not the most important) - your spirit made my evening! Next time you have a spontaneous desire to perform, let me be there again. Find me on facebook!

What Jacobs Means to Me

[In the wake of the 10-year anniversary of Jacobs University, my Alma Mater, I did some reminiscing.]

Having come to, back then, International University Bremen, in 2004, I had long hair, some interest in international relations, and exclusive interest in academia. I came to Jacobs because, frankly, its value proposition appealed to me - I.e. They accepted my application and offered me financial support. Little did I know what my next years will bring. And just as well because who would have believed it. It is now 7 years down the road and I've been at Jacobs for more than 6 having moved on only very recently. So, now after I have left and have acquired a more objective view, you ssk me what Jacobs means to me.

Well, Jacobs means a world to me. Not THE world, because Jacobs and it's people are from an entirely different world. We live in our heads, you know - in a bubble - a mass bubble of brains (and the occasional smoking body - which doesn't stay smoking for long - stress plus pizza at 2 in the morning isn't a great combination). We live up there, trying to solve the world issues - we look at them with this curiosity of a child.you know the type of curiosity - the idealistic one - the world needed fixing so, let's just go ahead and fix it. And this is what will make a 10 year anniversary just a small stone on the road - like IUB rocks. End point: outside of the bubble.

Jacobs means to me a dream. No, not because most of the time anyone is simply asleep. Not because the years there passed as quickly as a dream, nor because I dream about them all the time. But because in a dream you can make anything happen. And so can you at Jacobs - that's where everything actually happens. And this is what will make a 10 year anniversary just a small stone on the Jacobs road. Destination: Neverland.

And Jacobs actually means to me a family. Not because whenever We go there, We will meet a person We know, nor because when we go there and We meet someone we don't know We will be able to start a whole-night conversation out of the blue; not because when we go there, We will always have more than 600 beds offering to host us. Jacobs is family because you cannot choose it (and neither can it - that's the magic about the admissions process), because it takes you naked, exposed and vulnerable and you aren't ashamed or scared of it; because it will is like the word "miracle" tattooed on your butt - no one sees it, but you know it is there and it is your protection (besides, it makes you cocky which always helps); because it loves looking through old family albums and showing the world what the children of Jacobs have accomplished. And this is what makes these recordings pages of the perpetually growing album of the Jacobs university offspring. Let's proudly show the world what our family has achieved, paving the road to Neverland. 

Saturday Story Lines

I am on my way - with a camera in hand, and a smile on my face. I am on my way to meet my friends. At the usual places that we always go to - the ones we are slaves to - the light of Viertel in Bremen, the small paves streets which look like nothing out of this century, the small houses with the roses growing next to the doors as if they were there from last century, and the music in my ears is that of Ella Fitzgerald (and that's even older than that other century):

... Sweet dreams 'till sunbeams find you, 

Sweet dreams that leave all worries behind you. 

But in your dreams, whatever they be. 

Dream a little dream of me.

The sun is shining through the ghostly morning air being reflected in the water droplets in everyone's hair (especially in that cat's). It is a Saturday for a brunch in the street although there are cars passing by (which is why we simply pull the construction sign at the entrance and we pretend we have no idea why it is there directing the cars to the adjacent street). The bread smells divine - like bread - saciating, smooth, thick, of memories from childhood, of motherly embrace, of baby skin, of butter (the French knew all about that), of fresh fruit and honey. The coffee bubbles in the French press, giving in to the warmth of the water, surrendering its color and flavor. 

They turn to each other, oblivious of the group of people around, and they touch - not their hands (which they have to force themselves to hold back) or legs (which they remember are also a seductive tool) but their thoughts - and their eyes. They lock them on the other person as if the croissants with nougat cream on the table don't tempt at all.

And then he takes over - the conversationalist, pointing his finger around with the philosophical gusto of a trouble-maker. It is Saturday morning but a philosopher is always teaching and asking, always asking and teaching - forget about the smelly cheese brötschen he has to prepare for his girlfriend before she hops on to her busy work life (on a Saturday) - he can multitask. Until those three pretty girls show up down the street.

And then they all (they=men) turn their eyes on them, following their moves through the little street as if the tennis match was just about to start and that small green snitch-of-a-ball is about to get hit again. They admire the purity - they don't stare, they don't desire. They simply observe - because it is a Saturday morning - not a time for action.

And then someone new came along - someone who looked like the mysterious animal tamer - who has the secrets ready to be told - but he won't - he just puts up the paper for a show. He seduces the audience like a true story-teller, lowering his voice, making bigger pauses, widening his eyes, and asking questions: "Do you want to know what happened next?"

But he won't tell. We'll have to wait until next time - no matter how much we beg. Story doesn't end - it has organic growth. Day by day, Saturday by Saturday. Weather-dependent of course but only in terms of its location - a smile does not need the sun (the sun needs the smile). And the brothers embraced, "Until next time, bro!"

"Until next time!"